ABOUT

Rhythmically Speaking’s | MISSION | is to spark vibrancy and connectedness through engagement with staged works inspired by jazz and American social dance ideas.

Grooving together creates danced understanding and appreciation of our differences and similarities, because rhythm is at our human core. This guiding | VISION | drives the Rhythmically Speaking mission, currently fulfilled through efforts in performance and education: the creation of two productions a year – one featuring new works and repertoire by local and national artists and one of new dance works by Artistic Director Erinn Liebhard – as well as residencies, workshops and events as needs and interests arise.

We spark vibrancy and connectedness by supporting exploration within not only jazz, but also tap, hip-hop styles like house and popping, and many other approaches to dance. The work we create and present is united by a core of rhythmicity and shares the elements of groove, interaction and improvisation that are present in all American social dance.

These | VALUES | guide and are reflected by the art we create and present, by the people who bring it to life and the ethos with which we operate:

  • Groove: Everyone’s got it and everyone can (and should!) use it
  • Interaction: Grooving together socially builds community
  • Playfulness: Spirited improvisation develops resourcefulness and joy
  • Equity: Celebrating the roots of American social dance ideas, particularly Afro-Latinx diasporas where jazz is concerned, is a joyful and just way to invite everyone in
  • Rooted Innovation: Embracing these roots moves staged jazz and American social dance ideas forward in holistic, vibrant ways

Touted by Dance Magazine as ‘revitalizing jazz dance in the Twin Cities area,’ we are proud to be rooted in the Twin Cities of Minnesota, a locale with a rich jazz and American social dance history. Since our founding in 2008, we’ve endeavored to support and nurture enthusiastic idea exchange with other passionate people locally, nationally and internationally who share our interests. We are a 501(c)3 non-profit organization.

We acknowledge that our work occurs on the traditional lands of the Dakota people, and honor with gratitude the land itself and the people who have stewarded it throughout the generations, including the Ojibwe and other indigenous nations. We also acknowledge that as a company built around jazz and American social dances, forms with African and Latin diasporic roots and branches, anti-racism and intersectional justice efforts must also be central in our work. We view bettering these efforts as an ongoing journey, and welcome you to read more about this at our Anti-Racism page.

The | PEOPLE | who bring our work to life include:

Artistic/ Executive Director Erinn Liebhard:

Erinn is a dance artist (MFA University of Colorado Boulder, BFA University of Minnesota) making opportunities for people to experience the reflective and connective power of groove through performance and education. Having grown up dancing socially at her dad’s rock band’s gigs, she discovered at a young age the exhilaration of playfully experiencing groove alongside others. Guided by this inspiration and a fondness for jazz and American social dance ideas and their shared elements of groove, interaction and improvisation, she’s worked with creatives as varied as hip-hop dance theater artists Rennie Harris and the Wild Goose Chase Cloggers Appalachian clogging company. In performance, Erinn makes and performs new staged works and presents those of others through Rhythmically Speaking, is a member of Afro-Brazilian company Contempo Physical Dance and performs as self-created character entertainer “Nerdette” for Saint Paul Saints Baseball’s Entertainment Team. In education, she is an active jazz dance residency artist in higher education and for professional dance companies, works on the Teaching Artist roster for the Cowles Center for Dance and is on faculty at Zenon School. She is also an active writer and conference presenter. She’s driven to help connect people to themselves, one another and the moment through rooted and innovative embodiment of groove.

Advisory Panel:

  • Luther Bell: Owner @ Twin Lake Media, A/V Technician @ Freelance and Founder @ Inspiration Fund (Philanthropy, Production & Entrepreneurship)
  • Hannah Elias: Development Operations Associate @ Planned Parenthood North Central States (Development & Management)
  • Kristine Frank Elias: Communications Director @ University of Minnesota Medical School (Marketing, Development & Management)
  • Brian J. Evans: Assistant Professor of Dance @ Bates College (Artistic & Production)
  • Erinn Liebhard: Artistic Director @ Rhythmically Speaking, Dance Artist @ Freelance (Artistic & Production)
  • Kristoffer Olson: Associate Director, Analytics @ ICF Next, Kristoffer Olson @ Funny Magician (Data, Tech & Entrepreneurship)
  • Janette Davis (Advisory): CEO @ FlightDeck One Consulting (Development & Management)
  • Zoe Sealy (Advisory): Professor Emeritus @ U of MN Dance Program, Retired Artistic Director @ MN Jazz Dance Co (Artistic, Production & Management)
  • Reilly Liebhard (Legal Advisor): Attorney @ Liebhard Law Firm LLC

Our work is also brought to life by the incredible choreographers we engage to create and revisit dance works, the dancers that perform them and our audiences, who help create the electricity of live performance that we all get the joy of sharing in. Our current collaborating dancers:

Nieya Amezquita:

Nieya graduated from the University of Georgia with a BFA in dance and a BS in psychology. Dance has given Nieya the opportunity to perform nationally and internationally, showcase choreography at ACDA, work for the Joffrey Ballet school, and teach dance within her communities. She currently works with Threads Dance project, Concerto Dance and Rhythmically Speaking. She hopes to continue to be a part of works that generate conversations about the social, racial and psychological state of our society today.

Rae Charles:

Rae Charles, BFA New York University, M.Ed University of Michigan, was selected as an “up and coming young choreographer” at the 2012 Young Choreographer’s Festival in New York City. She joined Threads Dance Project as a full-time company member and Development Manager in 2014, and went on to become a Dance Instructor PiM Arts High School in Eden Prairie. Charles is currently pursuing her Ph.d in Arts in Education at the University of Minnesota, researching dance education, educational reform, culturally relevant pedagogy, anti-racism, equity, and social justice. raedances.org.

Doug Hooker:

Doug graduated from the University of Oregon with a Bachelors in Dance. He has had a variety of professional performing opportunities, including with the Santa Clara Vanguard Drum & Bugle Corps, touring with Broadway show Blast!. Local works of note include Dancing People Company, ARENA DANCES, Paula Mann, The Minnesota Opera, Threads Dance Project, and Shapiro & Smith. doughooker88.wix.com/doughookerdance.

Amy Jones:

Amy graduated with a degree in Theater/ Dance from Luther College and has performed concert and commercial contemporary, jazz, hip-hop and ballet in NYC and Minneapolis. She is also a pilates and aerial fitness instructor.

Sara Karimi:

A native of Wisconsin and a graduate of University of Iowa (BFA in Dance Performance, BA in English), Sara has danced and toured nationally and internationally with Kayle & Co., 10,000 Feet Dance Company, The Architects and Threads Dance Project, among others. Upon relocating to the Twin Cities seven years ago, she has worked with regional and local choreographers; and is in her sixth season with Threads Dance Project and her seventh season with Borealis Dance. Sara is also a 400 hour certified yoga instructor and has taught workshops and classes in Colorado, Wisconsin and Iowa.

Kelli Miles:

Kelli is a Minneapolis-based dancer, choreographer, teacher and arts manager. She graduated from the University of Minnesota – Twin Cities in the Spring of 2018 with a BFA in Dance and a minor in Leadership. Throughout her training, she has spent time dancing in New York City, San Francisco, Nashville and Israel. She has had the honor of performing works by Ohad Naharin, Banning Bouldin, Uri Sands, Gina Patterson and Angharad Davies. Kelli is constantly inspired by way in which this movement form sparks conversation, invokes visceral reactions and creates community. miles104.wixsite.com/kellimiles.

Kathleen Pender:

Kathleen Pender is a Minneapolis-based performer, dance educator, and arts administrator with a B.A. in Dance from St. Olaf College. She teaches for the Northfield Arts Guild and Young Dance, where she also works as Communication Assistant. She has performed in works by local choreographers Erinn Liebhard, April Sellers, Julie Warder, Taja Will, and Pat Taylor/JazzAntiqua (LA), among others. Kathleen is passionate about community and relationships cultivated through movement exploration, education, and performance.

John Surber:

John Surber is a professional dance artist and teacher out of the Minneapolis/ St. Paul area who graduated Cum Laude from Gustavus Adolphus College with a B.A. in Dance in May of 2017. John started dancing in college, training primarily in modern, and dabbling in the areas of jazz and hip hop. John has performed with Rhythmically Speaking, Arbeit Opera Theatre, 16 Feet, Kinetic Evolutions and the Christopher Watson Dance Company and 8:20 Dance Company. He also teaches for Reflections Dance Academy in Shakopee. johnsurber.wixsite.com/johnsurber.

Crissy Tolson:

Crissy Tolson has worked with numerous Twin Cities companies and artists such as Rhythmically Speaking, Alternative Motion Project, Loom Lab, Borealis Dance, Pedro Pablo and Laura Selle Virtucio. She is also a founding member of Painting the Room, a Minneapolis based music/dance/text improvisation group. Her performance has been highlighted by the Star Tribune: “She commanded such presence… articulating emotions with precision …downright terrifying”. Off the stage, she’s co-produced and directed three shows for the Minnesota Fringe Festival. Crissy holds a BFA in Dance from George Mason University and recently went to Amsterdam to study improvisation composition under Katie Duck.

| WHAT PEOPLE ARE SAYING | :

  • “What a truly amazing show you have put together! It brings all the parts about jazz dance that make it so unique – it’s sense of community, the essence of cool, the communicative use of call and response, the improvisational elements, and of course it’s connection to the music! You and the roster of guest choreographers have put together something so magical, it had me moving and grooving in my seat, not to mention wishing I was on that dance floor!” – Crystal Secor, Audience Member for The Cohort (2019)
  • “I am so glad that I got to know you this summer/work with you. Seriously, keep doing what you are doing. You have a great mission, amazing work ethic, and you are creating some amazing opportunities for artists out there. I feel lucky to be a part of the Minnesota family.” – Rohan Bhargava, Choreographer for The Cohort (2019)
  • “Saw this last night… it was fantastic! There’s so much diversity with the various dances and music. I loved how some dancers shared insights into their creative process/motivation using spotlight/ voiceovers. I also loved the live JAZZ. It all flowed effortlessly! Thanks performers for a great evening.” – Colleen Schaefer, Audience Member
  • “Congrats on a wonderful performance! It was lush, polished and generous. It was clear from the opening curtain speech the love, care and passion that was poured into the evening.” – Carl Flink, Dept. of Theater Arts and Dance, University of Minnesota
  • “Thank you Rhythmically Speaking for your support of rhythm-based choreographers and your work to bring this diverse community of unique and passionate artists together.” – Karla Grotting, Past RS Choreographer
  • “Thank you so very much for the great experience this past week. From start to finish, the show was run impeccably. You have a truly fantastic thing going here. The show is eclectic, professional, and currently provides a vital foray into otherwise uncharted territory in this community. Bravo. You’ve allowed me to continue a crucial aspect of my personal technical and creative journey, and present that to an audience. Thank you again for a fantastic experience.” – Jeffrey Peterson, Past RS Choreographer